So pay close attention to which rooms are the worst noise offenders, and choose the quietest one with the fewest neighbors. Some degree of soundproofing may be required in order to create a useable workspace for yourself. For your recording room, hard flooring such as concrete , tile , or hardwood is ideal. Carpeted rooms often cause problems for two reasons :. If and when you need carpet, such as for a drum kit , you can always lay down an area rug instead.
The other problem to watch out for with upstairs floors especially is excessive foot noise. If possible, choose a downstairs room instead. Ideally what you want is a large room with high ceilings , asymmetrical walls , and lots of irregular surfaces. However, the chances of having access to a room just like this are virtually ZERO. You on the other hand, will most likely need to compromise. Previously in Chapter 3 , I showed you everything you need to know to put together an amazing acoustic treatment plan on virtually any budget.
Ideally you probably want your workstation to look a little more professional if at all possible. While pro studios have the luxury of multiple rooms for multiple tasks….
Which allows them to play BOTH engineer and musician from one location. To record others, you must completely rearrange your studio…. To record in your studio with two or more people …. You will also need access to power for lighting, and to plug in small power tools such as a flex shaft or Dremel. A nearby water source is also handy. Look for one at garage sales, thrift stores, or discount tool suppliers such as Harbor Freight.
Height is important to avoid a nasty backache; when you sit, your stretched out arm should be able to rest on the surface. Soldering can be done on a workbench, or on a separate table. We're glad you have chosen to leave a comment.
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Digital Photography Tips, Tutorials and Resources. Facebook 43 Tweet 0 LinkedIn 0 Pin 2. Using WordPress and want to get Envira Gallery free? Try Envira Gallery free! Related Posts. How to Name Your Photography Business. How to Market Your Photography Business. Typically, most recording studios have some combo of dynamic and condenser microphones for performers to use. Dynamic mics are better for louder sounds and are more durable.
They are used for guitar amps, drums, and other loud sources. Condensers are more delicate and expensive but also more detailed, bright, and clear than similarly priced dynamics. Be sure that your recording interface has Phantom power when using a condenser mic.
If this feature is not available, most microphone preamplifiers can supply power and will be more affordable than buying a new interface. In some cases they sound better with a preamp, however.
Some mics also have USB outputs. While these can be plugged straight into a computer, they tend to be of lower quality. Be frugal when buying gear.
Like music itself, music production is an art and not a science. The price tag on your gear does always not lead to better quality. Low-end equipment in today's amateur home studios would have been unthinkable to top studio engineers just a few decades ago.
It's possible to record radio bangers on a home studio setup. Expensive gear is great and can lead to great recordings, but don't let that hold you back from making great music. Take advantage of free software. Consider using old analog gear. Most studios are digital these days, but the really good ones still have analog gear you can work into your rig.
If you want to put your studio on the map, consider adding a plate reverb unit or a reel-to-reel tape machine. You can record on one of these and bounce the audio into your DAW when you're done. These kinds of sound can't be replicated digitally. Have some musical instruments on hand. Most studios assume musicians want to play their own gear to get a more accurate recording. Some studios, however, will have gear in place that the engineer knows and can use to achieve a particular sound.
Try having a variety of gear around. Amps, effects pedals, and guitars are good. If you have more money, also consider keyboards and synthesizers, drums, or even a piano.
Part 3. Soundproof the live room. Soundproofing really does two things. It makes the room quieter by blocking out outside noise. It also makes the sound quality better on recording by absorbing excess acoustic ambience. Acoustic foam or panels work if you have money to spend, but may run you significant costs for a large studio.
One inexpensive way to reduce sound is in the selection of the studio space. Try to select a live room without windows and with heavy, thick walls or thick insulation. This should reduce echoes. Prepare a vocal booth. Most studios set aside space specifically for vocals.
Vocals can be hard to record. They should be recorded standing up, which makes it easier for the singer to sustain a good sound. The mic should also be at a comfortable height.
The vocal booth is an isolation booth, so it should be acoustically isolated. Make sure to soundproof it as best you can. The mic itself should have a pop filter to protect it from saliva and to filter out sharp sounds, like t's and s's. If your mic is directional, so that only one side picks up sound, turn it so the side of the mic is facing the vocalist.
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